Saturday, December 29, 2012

Link Love

Many commentators discuss how the internet is making people stupider. This easy observation has evidence for it, and yet misses the point and actual growth dynamic of which cyberspace is merely a symptom. That is a topic to be sketched more fully at some later date. 
But since a basic characteristic of stupidity is thinking you know something you do not, I cannot resist pointing out how much easier it is now to appear well-informed rather than actually be well-informed.  In the older olden days, before we were even a speck in anyone's eye, people could create a visual demonstration of their intellectual interests. The book shelves weighed down with books which could be taken in at a glance. The faded colored bindings hardly need their titles to be scanned to convey a picture of their seriously intellectual owner. As Jan Cox pointed out, this common practise, says nothing about whether the books are actually read. Most likely they are not, they exist to bolster the self-image of their owner.

Now you can do that with much less effort. I call it link love. You do not have to expend money at all, certainly not on books, on book cases, on floor space for such furniture. Now you can save money and convey the same impression, of an intellectual gravity which may, very well may, be unearned. I refer to the artfully referenced link to a certain subject, or even to a list of links regarding some topic. You needn't even spend money or TIME, creating this impression: you use a search engine to compile a list, find an apt sounding reference. As with everything modern, creating a good impression is easier now. The timeless of course bolsters, nourishes, invisibly, and can temporarily be disregarded. The dimensions of reality  continue fresh with an attitude to constantly learn more. Such makes referencing links trivial. 

Jan's point about books made the same point I do here, analyzing not -- links, but the use of links among ordinary people. You cannot put your credibility in the cloud, you cannot put it in the eyes of your peers. You cannot put ii in any interior speech or picture. You can only put a real worth in a quiet place, where 
no one 
will 
see it.

But that realization of course does require effort. As Jan Cox said decades ago; I call this enterprise the W.O.R.K., because that is what it is--- work. Not a job for the ordinary.

Monday, December 17, 2012

How We Forget, (an example)

The interesting topic today is superficially about a subject Jan Cox found  enthralling,  as indeed, he found all things he encountered or sought out, worth pursuing to understand how they work. I refer to cellular structure. 

The link below is to an article discussing a new approach to understanding the cell. This approach involves taking old but valuable words, and giving them new antithetical definitions. When this happens, especially at the rarified intellectual level, the loss in the possibilities of learning may outweigh any gains. At least in this article, and the part I will quote, there is an  awareness of the shift, though not the significance of it.

So from the article at this link,

http://www.newswise.com/articles/view/597334/?sc=swhn

we excerpt--

"What's new about our ontology is that it is created automatically from large datasets. In this way, we see not only what is already known, but also potentially new biological components and processes – the bases for new hypotheses," said Dutkowski.

Originally devised by philosophers attempting to explain the nature of existence, ontologies are now broadly used to encapsulate everything known about a subject in a hierarchy of terms and relationships. Intelligent information systems, such as iPhone's Siri, are built on ontologies to enable reasoning about the real world. Ontologies are also used by scientists to structure knowledge about subjects like taxonomy, anatomy and development, bioactive compounds, disease and clinical diagnosis.

The original purpose, the whole inquiry, denoted by the word ontology, is lost. 
How now should we inquire about existence per se?  Now instead of the edges, the source of existence itself, we mean, if we are a scientist, simply, that which is known about a topic. Any exploration must happen within a verbal framework.

This loss happened before the new approach outlined in the article to which we link. Still, this misuse of a valuable tool, the word, 'ontology', makes any recovery of the original purpose even more challenging. Insights are lost. Yes, the crucial insights must always be won again, by the individual knower. Yes words are a hindrance in real effort. Yet, it helps to be able to point, to have certain words. You never communicate to another, over any expanse of time, without -- words. Even if, as with the works of Jan Cox, what is being communicated, is the ways verbalizations can hinder, sincere effort. 

Saturday, December 8, 2012

Pig Man

This quote from a wikipedia article about a religious figure is relevant in our discussions here about the mysticism of Jan Cox. It is relevant because of the etymology of Swithin, Jan said that if you did not understand the etymology of a word you did not understand the word. I point to the meaning of pig man for this saint. It may reflect a genuine apprehension of what is necessary to continue on the path Jan Cox pointed to.


Swithun (or SwithinOld EnglishSwīþhūn; died c. 862) was an Anglo-Saxon bishop of Winchester and subsequently patron saint of Winchester Cathedral. His historical importance as bishop is overshadowed by his reputation for posthumous miracle-working. According to tradition, the weather on his feast day (15 July) will continue for forty days. The precise meaning and origin of St Swithin's name is unknown, but it is largely considered to mean 'Pig Man'.[1] Another possible meaning is "strong".

Monday, December 3, 2012

Platonic perfection and plastic saucers

How man came up with words and writing is a topic some find fascinating and no doubt part of that is the insoluble aspect to the question. But seeing the full moon, made me wonder if our planet had had no moon, would the lack of what seems a perfect sphere, in a world so obviously not, have resulted in our missing this -- a lack impossible to imagine, that we never made the evolutionary leap, to a cerebral stage. 

Monday, November 26, 2012

Sunday, November 25, 2012

In Praise Of, uh, modern culture

One of the most elusive and complex aspects of the great machinery, is the role of the destructive flow in the happening and processing of levels of the great machinery, as Jan Cox called it. There can be no real criticism of, selfish rich people, political tyrannies, once the nature of how the world works is glimpsed. 

Along these lines is the role of imagination. If there is one thing that unites the variety of schools descendent of Gurdjieff it is that identification is a negative thing. Yet let us step back a moment. What may be a stumbling block for the earnest inquirer, could well be, on a larger scale, a critical component of progress. An example of this may be novels. Surely a sober perspective would scrutinize this wanton leap into total imagination, that leap that happens when you open a book of fiction, or tune in some dramatic series. In these circumstances there is no distance between one's attention and the washing machine jumble of externally controlled fantasy. 

And yet, looking at the history of the last few centuries, a characteristic would be just this loosening of imagination, these circumstances and intent which encourage man to live more in utter fantasy. It does not exhaust the subject to remind readers that Jan Cox pointed out how imagination was critical to scientific progress because such imagination allows a rearrangement of the external world, as a guide to what and how things can be changed.

My own assessment of this major characteristic of modernity was that the enormous increase in the flow of imagination was necessary to sop up the extra time now available on the local cerebral level. Now something else is clear.

So far my thoughts are just an elaboration of Jan's point. My point is, as the machinery becomes more complex, and the evolution of Humanity quickens, (another of Jan's points, though he always said these changes were invisible at the life span of an individual), that this evolution is requiring a greater cerebral percolation of imagination. 

My fresh enhancement of this intellectual perspective, is that this growth of imagination must be of major importance to our group survival. And -- that the blindness imagination encourages, is necessary, to actually bring about changes in the external world. Any real grasp of what is going on, might be so alarming as to be debilitating. The machinery as a whole needs this blindness to facilitate change. 

Friday, November 23, 2012

Where the action really is

The article excerpted below hightlights a point Jan Cox made. That processing is necessary for the human brain to assign a meaning to anything.

Matt Dickinson, author of the Mortal Chaos series and one of the Brits who has reached the summit of Mount Everest, offered a surprising insight into life on top of the world once when we met. He said: "When you get up to the very top of Mount Everest there is a remarkable amount of rubbish that has been left behind - old rope, discarded oxygen cylinders, broken tents, beer cans and bottles."

A group of artists have now turned eight tonnes of this trash - including the remains of a helicopter - into works of art and sculpture to highlight the issue of littering on the slopes of Everest. It took 65 porters and 75 yaks to carry down the rubbish from the mountain over two Spring expeditions.

The exhibition of 75 pieces commissioned for the 'Everest 8848 Art Project' is on display in the Nepalese capital Kathmandu before it moves to Pokhara next week.

Project organiser Kripa Rana Shahi said: "We thought that this would help promote the artists as well as contribute to making Everest clean. We were happy to get the trash and (the waste collectors) were happy to get rid of it."

Fifteen Nepalese artists spent a month preparing pieces for the exhibition. In one of the works, by painter and poet Sunita Rana, white shards of aluminium from drinks cans are fashioned into medals signifying the bravery of mountaineers, while black metal tent poles are transformed into a wind chime


Jan's point was that a sincere quester would look NOT the "to" or the "fro", of living, but the inbetween. Not the Everest peak, or Kathmandu, but the trip itself.