Reptilinear Dust

No, I have not seen the 2006 movie Snakes on a Plane. The picture one gets from this title however, is useful to point to the inadequacy of binary thought.  A certain hysteria can permeate public discourse when both sides only see two options. Some decades ago, an example was the Vietnamese war: you were against the war, or you were for it. Earlier, you were against communism, or you were for it. Major swaths of the 20th century resulted from the logic that the only way to be against fascism was to be for communism. And vv. And it can feel so persuasive, especially if you are young. OF COURSE IT BOILS DOWN TO TWO CHOICES. YOU ARE FOR US OR YOU ARE AGAINST US. WHAT COULD BE SIMPLER?

But the complexity of life, of our interactions and the bloomin buzzin business, means that the fork, the choice between two, is never correct. Wait, can that be right?

The snakes and you. At the physical level binary options take on a different cast. The plane in the movie title, is your own head. The electrifying thought of snakes in close quarters paints a picture, of the ordinary mind, in an extremis which is just the daily, dipped into dayglo paints.

Scientists say the darnedest things

This link

https://phys.org/news/2017-05-hunter-gatherers-farming.html?

goes to an article headlined

Why did hunter-gatherers first begin farming?

The article itself does not even address that question.

The article discusses evidence for whether the first farmers deliberately tried to increase the yield of crops.

Read it yourself.  I wouldn't make such a fuss, but this happens in science popularizations all the time.

A Field Trip to Academe

I do not normally quote, even the man whose influence defines this blog, Jan Cox, since the posts here are an "example" of fresh thinking. But this pdf is a fascinating look at issues in modern historiography, in this case-- the invention of writing.

http://www.diss.fu-berlin.de/docs/servlets/MCRFileNodeServlet/FUDOCS_derivate_000000008182/bsa_043_10.pdf
is a free download. 

Interesting stuff. And also an example to see how binary thought operates: although the ideas here are cutting edge, they are always within the realm of the mechanical.  The author is Reinhard Bernbeck, and a few words about him sets our stage:

REINHARD BERNBECK teaches Western Asian archaeology at the Freie Universität Berlin. His ...interests range from archaeological knowledge constructions and their ideological underpinnings to power relations in Neolithic and early urban societies of Mesopotamia. He has done fieldwork in Iran, Turkey and other countries. Recently, he started field work at sites of the 20th century in Germany.

Bernbeck makes a case that:

[The first] writing system represented, therefore, a technological not a conceptual, innovation...The discourse about the invention of writing is perhaps exceptional, as a relatively large group of scholars explicitly addresses medium- and long-term processes of convergence, and thus criticizes imaginations of creativity and originality for the process of the advent of writing.

If you haven't read the article I cite, here's a gloss: what Bernbeck means is that the invention of writing, rather than being a singular, specifiable, event, is a culmination of many small occurrences (like collecting pebbles) happening over thousands of years. Bernbeck is disputing:

The story which ... simply mirrors the traditional narrative of great inventions and their consequential spread. De-dramatizing narratives insert the traditional creatio ex nihilo-discourse into a multi-millennia development of precursors of script in the realm of management practices....

[My] conviction [is] that 'innovation' is largely a matter of narrative framing rather than historical reality.

"De-dramatizing narrative" is a new phrase to me, but what he means is pretty clear-- what we call important inventions are the result not so much of a single man's genius, but the culmination of many small steps over a long time, in that direction.

Bernbeck concludes:

[I]nnovation is a discursively constructed phenomenon that depends to a large extent on the variable inclusion of relations between preceding conditions and consequences in narratives about innovations...

also:

The second argument of my paper is concerned with novelty itself. Innovation discourses tend to glorify tangible objects and neglect practices that may be at the origin of their very existence. 

Bernbeck is a really good writer. Funny how good writing carries a persuasive power of its own. He has just about persuaded me with his arguments that being able to count comes before being able to read. "Numeracy precedes literacy." But back to his conclusions. We are interested in this as a demonstration of binary thought. You might think he was arguing against binary thought, but in fact, that never struck  his mind--- the constraints that speech presents, when any issue must proceed on a binary basis, everything is either/or, this or that. Though he tones it down a bit at the end (in good scholarly fashion)-- his thesis is that history is made not by intellectual giants but by an environmental chronological series of small steps, which are ignored when the credit is passed around by historians.

Well, yes. That is the way the mind works. Notice his division of the issue into TWO parts and two parts only: His own "De-dramatizing narrative" and the "dramatized construction with a strong tendency towards reification."  The latter means the constraints of material evidence as the only thing necessary to define something "new," which then becomes, in effect, a "thing": the invention of writing, is treated as an object.

What Bernbeck misses, is not just that his thinking is stereotypical in arguing on the basis of only two, alternative explanations. If it is not one, it must be the other. Bernbeck ignores the mastodon-like obvious: BOTH are accurate. The critical precursory steps, and the dramatic leap forward. BOTH are necessary....Both and ... And, some third. Which I will not elaborate here, not wanting to get us into Karl Jaspers and his ilk.

The warp and the wolf

It's a world eat world wolf we live in

FactJacked

Factjacked is a word to cover the mechanical nature of human thinking, especially as it applies to those who identify themselves as   -- thinkers. You see factjacking in every headline.  It is the quality of a finished thought. Capital letter to ending period of punctuation. What it signals is that the case is closed, when the case can never be closed, regardless of the fact that was in question.  The raw edge of newness, of openness, of vacant possibility, of the connections binding and building, is lost with the factjacked fact. It is a quality of thought itself, not any particular fact thought. Factjacking refers to the cerebral achievements which can be confidently and clearly presented to multitudes.

A finished fact is a useless, and irrelevant fact.  Of course, that is, some of the time.....

Art before there were artists

Medieval border art is often presented as amusing trivia, as the whimsy of a bored copyist. I suggest the picture below some would so categorize. But is this explanation accurate?

It is possible that the composer of this picture, happy to be anonymous, believed himself to be rendering an accurate portrayal of the nature of man. We cannot speak of symbols in a world suffused with distinctions which unify. Let me point to the levels of man I propose this picture is meant to convey.

The dog, is the body of a man. Tough, effective in procuring the realities of food, and shelter.

The rabbit, in the saddle directing things, is man's emotional nature. Particularly astute since some see this layer as the source of the idea of sin.

And the preyer, a riff on the falcon, is the snail: the snail then is man's intellect. In its time, everyone got the joke, uneducated and clerical bigwigs alike. And they laughed, because they were comfortable in their own skins. And imbued with a vision of unity.

And this might be a good reading.

(Here's the  citation, something I rarely have to use, as a matter of principle.)

In Praise of Originality

If you NEED a translation, you will never know how accurate that text is.

The student, if so he calls himself, must have missed the point.

We refer here not just to a search for extra-terrestrial life: to look for a planet LIKE our own, is to miss entirely the gorgeous freshness which typifies our rocky perch.